ID:205 | Open in NocoDB | Type:Collage | Themes:6 | Attachments:3 | Finding:34 chars | Connections:0→0 | Location:52.51038208764863, -2.0827366639037126 | Weather:None | Date:Thursday 24 February 2022 | Press 'D' to close

Dudley Time Portal

Fountain Arcade paper facade model - Michelle Gartside Paper Facade Model Fountain Arcade model.png
Fountain Arcade paper facade model
Added to Archive Thursday 24 February 2022
Location 52.51038208764863, -2.0827366639037126
Type Collage Drawing Model
Themes Aesthetic Architecture Creativity Craft Making Material
What was/is/if What is
More tagged with type Collage
TAKING BACK OWNERSHIP - To utilise the empty spaces and units on the high street with a place to celebrate the local institutions work. A space to help build a stronger connection within the community, creating a sense of fulfilment with the people of Dudley. - 1_9JgTintaUr7IOK9b6A515Q.png
A day out in Dudley Time inside passes slow, So we went out for the day, My favourite place to go, The high street in Dudley I'm sure that you'd agree It's not like any other town, There is lots to do and see And there's space to run around There's a playground there Just in the middle of the street And fruit growing everywhere The strawberries taste so sweet There's lots of places for grown-ups Where they like to chat and sit They say 'hello ya right bab?' And then Tarra a bit. There is no need to in When it's black over bill's mother Because should the rain begin The canopy is the perfect cover The grown-ups pick the veggies And call come get some grub We jump down from our climbing trees And head over to the food hub We get the buz back home for tea And get it down our wazzin I look back on the day with glee My Dudley town is bostin. - 1_lR0vzbG74UXCjHggkLA9Xg.png
The fourth Stepping Stone project focused on the design of 2-in-1 flower pot seating for the exterior of the community kitchen. The design also integrates a canopy for growing herbs to also use in the kitchen. Through a collaboration with another Time Rebel collecting reusable waste, we thought about how this could be integrated into the materiality of this concept. The product analysis of this design is that it has a detachable seat to cater for a variety of arrangements. The flower pot can be raised to create a seating area, and lowered to be become a flower pot on the High Street. - 1_eeu2cuz-jiHMU4N8pGR51Q.png
The yellow canary of the mines, a symbol of protection for miners spending time in highly polluted areas. The yellow lichen becomes the new symbol for Dudley, protecting inhabitants through carbon sequestration & clean air. - Michelle Gartside Concept Collage.png
A collage response to a Co.LAB gift for the High St - “It was nice to be able to use the image for something else. It made me think about placing the cut-out roadmap onto a slightly brighter future version, with colour, vibrancy and plantlife, so that it reminds me what we are heading towards, but still with a hark back to the people and the industry that made Dudley the town it is...” - 2656268F-99B4-47D8-8FF5-953A7068378B (1).jpg
More tagged with type Drawing
The main structure would have various spaces such as the Museum space, possibly a place that people can pin up local activities, and maybe rooms for either changing or for performance practice. As the street is 11m wide on average, there is plenty of space to have the building fill the space. As the sunlight comes from mainly the south, the south side buildings often shadow the street entirely, which would mean that something being built (especially as it will be dug down a bit) would not shadow out the other buildings. The biggest hurdle to tackle is that the space shouldn’t not feel overwhelming to the other shops or those who walk down the pavement. Because of this, most of the building’s structure would be in the underneath area, and only parts of it would pop out over the pavement. As the design would be flush with the pavement, there are also opportunities to have crossing bridges that are both useful by the public, but also incorporated with the design of the new street. The back of the street would create a unique space for social activities. The space is wide enough and long enough for a performance theatre space to be erected there, but it also has the possibility of having some kind of altered shape to the area, like a raised platform that could house seating and other social activities. However, the space can also perfectly fit a fully regulated tennis court, badminton court, and volley ball court. People have mentioned that there is also a lack of sport engagement in the area, so this could be used to provide that kind of space. - Oscar Law Proposed design.png
270 Castle Street paper facade model - Michelle Gartside Paper Facade Model 270 Castle Street model.png
Pond — At the northern reaches of the High Street lies a raised bed with nothing but a sterile patch of grass. We suggest as a miniature stepping stone, we replace the grass with a pond. The sounds of water can soften the noise of the traffic and it will invite pedestrians onto the high street by having this point of interest. It also works with the plans for re-wilding and growing food along the High Street as it aids pollination. - 1_nMGRrDR-iuxSL-9S7MgWHw.png
[Drawing - plastic bag] - 211007 1500 Waste 4.png
Glasshouse existing elevations - Michelle Gartside Existing site 1.png
More tagged with theme Craft
Hoarding knot 18mm - 211110 1735 Tiny Things 2.png
Looking to be the centrepiece of our exhibition, we proposed to create a site model of Dudley Highstreet at 1:200 scale with buildings modelled in a simple form. Local residents and visitors to the exhibition are then invited to decorate a chosen building to how they would envision it sat within the context of a greener Highstreet. We want to tie in our themes of biodiversity and materials by proposing that buildings can, and do, have the potential to be a lot healthier, sustainable, and interactive on the street. This site model also helps gain vital public opinions on the Highstreet and prompts discussion of areas most in need of attention. To ensure that the model is utilising the MDF to the most efficient standard possible. First, the centres of the massing blocks have been hollowed out. This allows a reduction in materials used as other buildings can be cut in the centres of the model. Then the top is finished with a solid piece. The waste material is placed into the recycling rack where other students can reuse it; otherwise, if the material left cannot be used for another project, it is recycled correctly by the university. The model spanned just over 3.4m long and over 50cm wide. With the majority being cut from scrap woods that would fit the jigsaw of the shape, we were able to drastically cut down on waste. We also got some small benches and bee hives printed from recycled plastics, and used dried flowers as trees to represent the green spaces. Ultimately, the model seemed like a huge success, and really helped portray our ideas about Dudley High Street to those who came by. Everyone from Dudley who saw the model knew that it was the High Street, and interacted well with it. The size did make it difficult to move, especially to carry to the site, but it sat nicely in the centre of the the room and really drew people in to interact with it. The model brought people in from outside to play with, write on, interact with. It became a spectacle for the public to come in and see what was happening and offer their ideas about what could be done. The event was a success. Many people from the public (those who heard about the event, and those who just happened across it on the day) came in to interact with the model, which sat as the centre piece in the room. Kids liked to play with the pieces while the adults talked about things that could come from actions to help the High Street, not just leave it as is. SOME OF THE KEY IDEAS WERE: - The Shops need to be inviting for everyone. It’s no good having these places to go if people would rather take a bus to the next town. - Just putting up boards across the windows is awful. Paint, Posters, Graffiti: Anything that actually makes the High Street look still alive is better than just wooden boards. - More Green is needed. While it is obvious that there is a lack of Trees, many people wanted to push for these small bushes or planting spaces that could easily be implemented across the street. - Spaces for public events or for people to at least gather at. While there is the Market and Fountain, it is not enough for the people of Dudley. - Something needs to be done about the cars on the High Street. Some were Pro-Removal of all Cars, while some just wanted to limit when they could access the High Street. Following the exhibition we created a series of drawings with our own interpretation of Sarah Wigglesworth ‘The Dining Table’ drawing. The drawings are a perfect representation of the our interactive model at the ERA Environmental Exhibition and Event. Showing the interaction the public had with the model, as well as the conversations that were held around the model. - Table 7.png
Concept Model - The model represents the idea of digging into the High Street itself. The idea was to drastically alter the form of the High Street to a point that it altered the ways that people in Dudley would live their day-to- day, changing the theatre of their lives, so that they could learn about their own history, their legacy, and about the endless possibilities of Dudley’s future. The idea was inspired by the word “Cut”, which in Black Country Dialect means “Canals”, as they were long cuts through the land. Dudley’s fountain represents the Middle Ages, showing the growth of Dudley over time. While it was the Capital of the Black Country (and still is), the Middle Ages is when Dudley saw itself come into it’s own place, being recognised as a big market town, and slowly expanding it’s territories and influence. The Castle represents the Dudley Castle, built in the 11th Century. Ruling over the land, the Castle is a key component of the Legacy of Dudley, sitting on the highest point for miles around, rich with history, from Being demolished twice, to the civil war, to now watching over the Zoo. The factories represent the Industrial Revolution era of Dudley, a time when Dudley was the king of England, and basically ran the entire process. It was an important aspect of Dudley’s Legacy, and sits as probably its crowning glory - even if today we can recognise the disastrous affects it had on the world in the short period of time the era passed. The Market represents the modern day. Dudley has seen better years, but it is with this project that I propose that even better ones are just around the corner. While people don’t look fondly at Dudley, those from there have a fierce dedication to the legacy of Dudley, which hopefully will burn to a brighter future. - Oscar Law Concept Model 1.png
This building has been picked because it is significant as it represents the language slang used in the local area. Not only that, the facade clearly looks worn and requires repair throughout. This is the best place to start as the locals would easily refer to it via slang. So when spreading the news of repair, people would instantly know which building it is. - Ryan Cooksey Building 1 Model 1.png
Nurturing AgroEcology in Urban Life A strategy for living alongside food production A critical part of the climate crisis is the degradation of soil, leading to scientists predicting the UK has approximately 100 harvests left of stable crop production. As an attempt to address the problem this project will explore the possibility of integrating sustainable agriculture into an urban setting, reducing the strain on agricultural land, reducing food miles and widening city biodiversity. Taking guidance from the farming movement, ‘Agroecology,’ a climate conscious, wildlife supporting and community engaged closed loop system will be developed, combining traditional growing with technology driven techniques that will support each other to produce a diverse plate. Dudley High Street will be the focal point, reinvented as a destination not just for the purchase and consumption of food but also its creation, driven by the needs and engagement of local people. Connecting the community to the food they eat. - Annabel Linch 1.png