Activity - people walking up and down the High Street
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TOO MUCH TRAFFIC! But the street must have vitality without it
Tree on roof
Space escapes thro' set back corner splay for traffic sightline has spoilt the street intimacy
Lichen as bioindicators
Lichen Vs Carbon. These concept models look to document both the current state of Dudley Highstreet and the vision looking towards the future within this thesis project.
The lichen covered model looks towards a future in Dudley that is rich in texture, colour, nature and oxygen. Natural materials promote natural growth, and textures such as rough sawn timber and stone are the prefect hosts for lichen. All new buildings in Dudley would benefit massively from following a fabric first approach and adopt the use of sustainable and recycled building materials along with systems that use minimal energy.
The lichen model represents a vision for this thesis, buildings that are covered in natural materials and lichens that help sequester carbon and promote a healthier Highstreet. Suggestions of raised buildings also proposes less disruption to the ground and natural landscape, giving plants and animals the opportunity to thrive in an otherwise hostile concrete environment. Raised buildings also look towards a future planet with rising sea levels, future factors that will drastically affect the way we carry out daily lives and futureproofing all buildings for generations to come.
This second model uses the Shou Sugi Ban method of charring timber to waterproof it. In this case however it represents the embodied carbon and pollution within the highstreet as it exists now. The simplicity and repetition is also used to symbolise the plain nature of the highstreet with only a few materials exhibited, mainly brick & concrete. Once burnt the timber forms were brushed with wire wool to reveal the natural grain of the wood, a visual representation of degradation of layers of buildings that are built poorly or not constructed to last longer than a generation.
This graffiti image is on the wall at ACCN- Dudley African Caribbean Network, I would like to know how and when this was created. One Love is a reference to a Bob Marley song and is written in the image.
Together, dad feeding birds
Ferns growing in the drain pipe
This building has been picked because it is significant as it represents the language slang used in the local area. Not only that, the facade clearly looks worn and requires repair throughout. This is the best place to start as the locals would easily refer to it via slang. So when spreading the news of repair, people would instantly know which building it is.
Faint waft of scented police man and woman
Dank alley
Old and abandoned
Nature thriving through the cracks
Flap (gentle) of covers on crowd barriers
Decaying paint / wall above shops
QR Code William Hill
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A collage response to a Co.LAB gift for the High St - “It was nice to be able to use the image for something else. It made me think about placing the cut-out roadmap onto a slightly brighter future version, with colour, vibrancy and plantlife, so that it reminds me what we are heading towards, but still with a hark back to the people and the industry that made Dudley the town it is...”
Bake 'n' Butty.docx
Bake ‘n’ Butty
Fairy lights all year round
Three clocks working triple time
More seating at the rear and
Above the sound of something frying in a pan
Laughter
The scrape of cutlery on finished plates
Stacked and cleared
Two cappuccinos
Two toasted teacakes
Footsteps on the lino floor
The hum of radio from somewhere
The clash of a saucepan lid
Tea, milk, two sugars
The tapping of a spoon on a plastic bowl
Fishfinger sandwich to take away
Do you need a receipt?
It won’t be long, alright?
Chips sizzling in the deep fat
Steam escaping the coffee machine
There’s your knife and fork
Musical buttons singing from the till
No sugar, I’m sweet enough
A message left on the answering machine
Phone rings
How can I help you?
Mobile notification
Chatter
Printing
There’s your change
I’ll bring your coffee over
Sausage, egg and chips
Large breakfast, no beans
Two lattes
Milk delivery
Grated cheese in a bag
Butter balanced in the crock of an arm
Is there enough money in the till?
Bacon and egg sandwich to go
Cappuccino
Cheers love
It was lovely, thank you
All this is seen and heard as
I am joined at my table
To talk through
Covid
Cars
Past lives
Old homes
Acceptance
Cooking
Gender
Pubs
Health and
Putting the world back together
My tea is done
I pop my mug back on the counter
All this for the prices of a cuppa I think
Stepping out past the flashing fairy lights
New T-shirt
Flats above shops
Barber
Welcoming restaurants
Our collective vision for Dudley is to support a creative community that is connected through our internet of things; creating spaces that allow for the collection and redistribution of materials that locals can use to construct products with. Community engagement is central to this design network with local businesses encouraged to get involved in manufacturing.
We decided to bring alive this vision through a series of pavilions positioned through the High Street, following a process through recycling, storing constructing and manufacturing. To take this idea further, we allocated several empty units along the High Street to become spaces involved in the open factory, from workshops, educational centres and co-working hubs. Since we wanted to show the journey people would be able to take, we decided to create a storyboard for our final visual.
These visuals show how the pavilions could sit in the High Street, starting at the market place, past CoLab Dudley’s base, and ending up at Top Church. We wanted to show how people would be able to interact with these different spaces and navigate between them.
Aesthetics of decay, worn-out remnants, decline post-industrial. Beautiful ruins. Fragments of the past.
Flowers in garden / trees
Localising Material Accessibility
During my initial walk through the High Street of Dudley, I noticed an inevitable decline in the area. There were vacant shops, but those open had apparent facade damage. For the area to thrive, there needs to be an aesthetical uplift. Here I began to question how to make the repairs. On the one hand, one could complete a like for like repair with a deep clean to provide a new lease of life to achieve an aesthetical value. Alternatively, the repairs could be a status of where the street aims to be in the future. To achieve a statement, the implementation of repair work needs to stand out. It needs to be futuristic, a bold contrast to the existing.
At this point, I decided that after being informed of the damage the built environment has on the climate crisis, only carbon zero/ carbon sequestering materials would be present during repairs. This does not aim to destroy existing buildings but instead carefully implement repairs creating a patchwork effect across the street. This would then grow over time as more repair work is required.
Over time, the high street would transform into a zero-carbon environment. The manufacturing and growth of these materials need to be local, so consideration is vital. This provides an opportunity for the site to be a material producer itself.
From the research that I collated, I found that the High Street was a very under-valued place that lacked both colour and nature. Therefore, the origami plant holder was a gift designed to bring natural elements such as flowers to the High Street, which could be taken home by the public.
"The days were numbered for these historic buildings when this picture of Dudley High Street was taken in November 1970. A public inquiry was being held to decide whether five listed buildings in the street could be demolished to make way for the new Trident Centre shopping complex. Permission was granted, and it was discovered during demolition that parts of these buildings dated back to the Middle Ages."
Till noise from convenience store
Caritas (charity)
Religion
Empty shop
Nico's style - a bit deco!
Why put a multi-storey car park with access from the narrowest street in the town?
(*imagining*) two Christmas spirited robins joining in with the festivities of the street, singing along with your Christmas joys.
Faded paint on strandboard
"The interior of William Granage cake shop and cafe in Dudley High Street, taken in 1912."
Activity - people walking up and down the High Street
Here are a few pics from some Archeology taking place adjacent to Flood Street. Sadly the fencing wouldn't allow me closer to take better pictures. The excavations show the evidence of former back to back housing, floor tiling laid directly onto the earth, street or yard cobblestones, a coal hole/cellar and possibly a garden path? Then there's a mysterious line of embossed bricks. Tho' not to be seen there'd have been outside WC's. All rather romantic as the past is often portrayed but such housing tended to create insanitary conditions with rising damp, open indoor fires & lack of ventilation.
What's £5? The Pavement?