ID:424 | Open in NocoDB | Type:Collage | Themes:13 | Attachments:1 | Finding:1624 chars | Connections:0→0 | Location:None | Weather:None | Date:Wednesday 24 February 2021 | Press 'D' to close

Dudley Time Portal

The themes I investigated were the Connections, Movement, Routes and Ways. My gift explores those themes through a figurative expression hidden within the structure of the dreamcatcher, allowing for a flexible interpretation by the audience, and to aid the imagination. The structure of the dreamcatcher symbolizes the relationship between the destination and the journey the user undertakes, but while it highlights the importance of the destination, placing it in the centre as the biggest piece, it emphasizes the significance of the journey over the destination in the ratio of one big element vs many small elements. This can be relevant to the High Street, if the connections are thought of beyond the transport means, and can relate to anything from the layout of the landscape of the High Street, to the interactions between the users. The web symbolizes the connections between the pieces, plotting the blue foam pieces around the different lengths of the thread, off the centre where the destination piece is plotted. This is meant to show how the connections can be made in various ways and that there is no set order or pattern, meaning that the movement is individual and the connections are adaptable. The blue foam pieces can be viewed as points or highlights of the journey, or they can represent different ways of getting to, and from the centre, suggesting that the journey doesn’t end with the destination. Another way in which the web can be interpreted is that the small foam pieces are the destinations, the thread is the connection between them and the big piece symbolizes the decision making. - 0_kW-5L8zNDic2CWkq.jpeg
The themes I investigated were the Connections, Movement, Routes and Ways. My gift explores those themes through a figurative expression hidden within the structure of the dreamcatcher, allowing for a flexible interpretation by the audience, and to aid the imagination. The structure of the dreamcatcher symbolizes the relationship between the destination and the journey the user undertakes, but while it highlights the importance of the destination, placing it in the centre as the biggest piece, it emphasizes the significance of the journey over the destination in the ratio of one big element vs many small elements. This can be relevant to the High Street, if the connections are thought of beyond the transport means, and can relate to anything from the layout of the landscape of the High Street, to the interactions between the users. The web symbolizes the connections between the pieces, plotting the blue foam pieces around the different lengths of the thread, off the centre where the destination piece is plotted. This is meant to show how the connections can be made in various ways and that there is no set order or pattern, meaning that the movement is individual and the connections are adaptable. The blue foam pieces can be viewed as points or highlights of the journey, or they can represent different ways of getting to, and from the centre, suggesting that the journey doesn’t end with the destination. Another way in which the web can be interpreted is that the small foam pieces are the destinations, the thread is the connection between them and the big piece symbolizes the decision making.
Added to Archive Thursday 27 January 2022
Experienced Wednesday 24 February 2021
Type Collage Model Text Thought
Themes Making Material Moving Gift Creativity Imagination Connection Big Things Tiny Things Transport Interacting Pattern Difference
What was/is/if What if
More tagged with type Model
Fountain Arcade paper facade model - Michelle Gartside Paper Facade Model Fountain Arcade model.png
This gift was created to highlight different points in the social spaces on the high street. Aspects that we can improve on and celebrate. One point found was to incorporate more green spaces to improve health and wellbeing. The other to celebrate the textures and embossings in Dudley’s early ironworking. These ornaments were created by melting sweets and printing patterns onto them. - 0_bLySD-pGcd7BOWUv.png
This gift represents the green spaces around CoLab Dudley and the connections they have to the high street. The black point marks the location of the High Street and the other pins mark each green space within the High Street’s immediate location. The lines act as a travel route that you may take in order to get from one green space to another. From this we can establish that there is a lack of greenery in some spaces. This then impacts the High Street as people do not need to use it as a travel route. By simply creating more of these green spaces like in the top right it will add more connections to the High Street which will draw more people to this particular location. - 1_WLglSFOiAMFtPQP5AWk-9w.png
Lichen as bioindicators Lichen Vs Carbon. These concept models look to document both the current state of Dudley Highstreet and the vision looking towards the future within this thesis project. The lichen covered model looks towards a future in Dudley that is rich in texture, colour, nature and oxygen. Natural materials promote natural growth, and textures such as rough sawn timber and stone are the prefect hosts for lichen. All new buildings in Dudley would benefit massively from following a fabric first approach and adopt the use of sustainable and recycled building materials along with systems that use minimal energy. The lichen model represents a vision for this thesis, buildings that are covered in natural materials and lichens that help sequester carbon and promote a healthier Highstreet. Suggestions of raised buildings also proposes less disruption to the ground and natural landscape, giving plants and animals the opportunity to thrive in an otherwise hostile concrete environment. Raised buildings also look towards a future planet with rising sea levels, future factors that will drastically affect the way we carry out daily lives and futureproofing all buildings for generations to come. This second model uses the Shou Sugi Ban method of charring timber to waterproof it. In this case however it represents the embodied carbon and pollution within the highstreet as it exists now. The simplicity and repetition is also used to symbolise the plain nature of the highstreet with only a few materials exhibited, mainly brick & concrete. Once burnt the timber forms were brushed with wire wool to reveal the natural grain of the wood, a visual representation of degradation of layers of buildings that are built poorly or not constructed to last longer than a generation. - Michelle Gartside Model 5.png
The themes I investigated were the Connections, Movement, Routes and Ways. My gift explores those themes through a figurative expression hidden within the structure of the dreamcatcher, allowing for a flexible interpretation by the audience, and to aid the imagination. The structure of the dreamcatcher symbolizes the relationship between the destination and the journey the user undertakes, but while it highlights the importance of the destination, placing it in the centre as the biggest piece, it emphasizes the significance of the journey over the destination in the ratio of one big element vs many small elements. This can be relevant to the High Street, if the connections are thought of beyond the transport means, and can relate to anything from the layout of the landscape of the High Street, to the interactions between the users. The web symbolizes the connections between the pieces, plotting the blue foam pieces around the different lengths of the thread, off the centre where the destination piece is plotted. This is meant to show how the connections can be made in various ways and that there is no set order or pattern, meaning that the movement is individual and the connections are adaptable. The blue foam pieces can be viewed as points or highlights of the journey, or they can represent different ways of getting to, and from the centre, suggesting that the journey doesn’t end with the destination. Another way in which the web can be interpreted is that the small foam pieces are the destinations, the thread is the connection between them and the big piece symbolizes the decision making. - 0_kW-5L8zNDic2CWkq.jpeg
More tagged with theme Pattern
This gift represents the green spaces around CoLab Dudley and the connections they have to the high street. The black point marks the location of the High Street and the other pins mark each green space within the High Street’s immediate location. The lines act as a travel route that you may take in order to get from one green space to another. From this we can establish that there is a lack of greenery in some spaces. This then impacts the High Street as people do not need to use it as a travel route. By simply creating more of these green spaces like in the top right it will add more connections to the High Street which will draw more people to this particular location. - 1_WLglSFOiAMFtPQP5AWk-9w.png
The top edge on the Duncan Edwards Memorial statue in the market square. What you're looking at is fossilised sea life of a good million + years ago. - IMG_7264.jpeg
Hoarding knot 18mm - 211110 1735 Tiny Things 2.png
Trad ground materials + patterns - 210731 1403 Identity.jpg
The themes I investigated were the Connections, Movement, Routes and Ways. My gift explores those themes through a figurative expression hidden within the structure of the dreamcatcher, allowing for a flexible interpretation by the audience, and to aid the imagination. The structure of the dreamcatcher symbolizes the relationship between the destination and the journey the user undertakes, but while it highlights the importance of the destination, placing it in the centre as the biggest piece, it emphasizes the significance of the journey over the destination in the ratio of one big element vs many small elements. This can be relevant to the High Street, if the connections are thought of beyond the transport means, and can relate to anything from the layout of the landscape of the High Street, to the interactions between the users. The web symbolizes the connections between the pieces, plotting the blue foam pieces around the different lengths of the thread, off the centre where the destination piece is plotted. This is meant to show how the connections can be made in various ways and that there is no set order or pattern, meaning that the movement is individual and the connections are adaptable. The blue foam pieces can be viewed as points or highlights of the journey, or they can represent different ways of getting to, and from the centre, suggesting that the journey doesn’t end with the destination. Another way in which the web can be interpreted is that the small foam pieces are the destinations, the thread is the connection between them and the big piece symbolizes the decision making. - 0_kW-5L8zNDic2CWkq.jpeg
More tagged with type Collage
From the research that I collated, I found that the High Street was a very under-valued place that lacked both colour and nature. Therefore, the origami plant holder was a gift designed to bring natural elements such as flowers to the High Street, which could be taken home by the public. - 1_zM15Z5pnVg2-U1-sRh9YNw.png
Provision House paper facade model - Michelle Gartside Paper Facade Model Provision House model.png
The interior of the community kitchen would be inviting and colourful to create a positive atmosphere. The colours were abstracted from one of our group collages of food. The kitchen counters are not considered as a back of house element; they have been combined with seating as we are trying to embrace the cooking process. The kitchen desk is designed in a way so multiple people can work together from all sides, with central storage for herbs. The facade of the kitchen contains a small window so food can be sold outside. We have also created a vertical herb garden so it can be used in the community kitchen. We wanted to keep these below eye-line so people outdoors have a clear view into what’s going on inside. This street section shows activity from the back of the community kitchen to the other end of the street and how all these elements are working coherently. The street is filled more with people rather than cars. We believe that the outdoor seating, more trees, canopies and street lights can attract people to connect with the High Street. - 1_FhlTHeqQ2vTYTBYjPskjSg.png
The image shows what this space could look like as a productive landscape. Where all the space is used. Vertical growing space can be utilised for pollinators for heights out of human range and for fruit and herbs in the lower regions that lie within our grasp. Trees can provide shelter, pollen and fruit, as can shrubs. - 1_I1Zo_eW9Ylo2G6KP5uxbfw.png
LAYERS TO THE HIGH STREET - To introduce covered, sheltered areas on the high street. Making the high street welcoming for the entire family and adding topographical value to the high street that is visually interesting. Adding another layer to the high street that will encourage exploring spaces for children as well as adults. - 1_uHX3-RDbo4tI8fS04tzp9g.png