PRODUCTIVE LANDSCAPE
To create a safe family friendly pedestrianised space on Dudley's high street. By changing up the landscape and introducing micro ecosystem on the high street we aim to improve the health and well-being for the planet as well as the people of Dudley.
Water Collection
With this information I can begin to map out 1038m2 of miyawaki forests.
It is crucial that the forests do not use more water than stored as then the project isn’t zero carbon as it would require fresh water. It is important that the water collected is sufficient for this project to work. This data also provides the information to how much storage is required on the site.
Street scale patchwork
Investigating Facade Damage will highlight where the repair needs to be undertaken.
It is creating an irregular pattern of repair that evolves.
Only intervene when necessary; this proposal will not ‘repair what does not need fixing’ as it appreciates there could be a negative effect on an already declining high street.
Repairs will be constructed with the materials grown on the street as part of the Macro-scale intervention.
For Colab Dudley, I baked a model that ties into the final proposal. Food is a huge part of history and culture and part of Dudley’s history and culture is using what food there is available. Bread is cheap and easy to make, so is found in many traditional black country dishes. I foraged for edible plants in my garden and neighbourhood and built hanging baskets and islands to show in an abstract way how public space could be more productive and beautiful. They were a tasty treat and a sustainable model!
Timeline of Dudley’s History with information on historic buildings and geological features of the High Street.
Dudley has a rich history by being know as a busy market town and being a capital for manufacturing.
The timeline emphasises the rapid change of the traditional industries in Dudley and how it has effected the High Street.
This gift was created to highlight different points in the social spaces on the high street. Aspects that we can improve on and celebrate. One point found was to incorporate more green spaces to improve health and wellbeing. The other to celebrate the textures and embossings in Dudley’s early ironworking. These ornaments were created by melting sweets and printing patterns onto them.
The themes I investigated were the Connections, Movement, Routes and Ways. My gift explores those themes through a figurative expression hidden within the structure of the dreamcatcher, allowing for a flexible interpretation by the audience, and to aid the imagination.
The structure of the dreamcatcher symbolizes the relationship between the destination and the journey the user undertakes, but while it highlights the importance of the destination, placing it in the centre as the biggest piece, it emphasizes the significance of the journey over the destination in the ratio of one big element vs many small elements.
This can be relevant to the High Street, if the connections are thought of beyond the transport means, and can relate to anything from the layout of the landscape of the High Street, to the interactions between the users.
The web symbolizes the connections between the pieces, plotting the blue foam pieces around the different lengths of the thread, off the centre where the destination piece is plotted. This is meant to show how the connections can be made in various ways and that there is no set order or pattern, meaning that the movement is individual and the connections are adaptable.
The blue foam pieces can be viewed as points or highlights of the journey, or they can represent different ways of getting to, and from the centre, suggesting that the journey doesn’t end with the destination.
Another way in which the web can be interpreted is that the small foam pieces are the destinations, the thread is the connection between them and the big piece symbolizes the decision making.
My gift focused on the issue that I found most prevalent in my research, which was the lack of nightlife and social entertainment on Dudley High Street. I created an abstract storyboard that highlights the gap on the High Street. This model can be packed away and used at different events. It can also be used as a puppet show. People can add their own contributions to the High Street. The storyboard was made out of recycled materials. This puts emphasis on looking after our environment.
A day out in Dudley
Time inside passes slow,
So we went out for the day,
My favourite place to go,
The high street in Dudley
I'm sure that you'd agree
It's not like any other town,
There is lots to do and see
And there's space to run around
There's a playground there
Just in the middle of the street
And fruit growing everywhere
The strawberries taste so sweet
There's lots of places for grown-ups
Where they like to chat and sit
They say 'hello ya right bab?'
And then Tarra a bit.
There is no need to in
When it's black over bill's mother
Because should the rain begin
The canopy is the perfect cover
The grown-ups pick the veggies
And call come get some grub
We jump down from our climbing trees
And head over to the food hub
We get the buz back home for tea
And get it down our wazzin
I look back on the day with glee
My Dudley town is bostin.
In this picture from 1914 in Dudley, you can just make out my grandfather. He's the small boy with the cap running across Wolverhampton Street in the days when the trams were still running. Years later we worked out that this day was probably a defining moment in his life, the day he chose never to have a second thought or to be bullied by others. You can see him running. This is because he had stolen the ham you can see him carrying under his arm. This one action started a chain of events for my grandfather that would go on to dominate his formative years. Petty larceny, theft, criminal activity that would shape him, turn him into one of the most notorious villains in the Black Country.
When he died in 1972, this photograph turned up amongst his possessions, in a locked drawer of his bureau. We agreed amongst us that no one in the family had ever seen this photo before, curious as to its importance to him. On the back of the photo he had written the date and time, together with a brief note - "Me stealing ham from W.Smiths, butcher". He would have been 10 years old and this was perhaps his first, or at least one of his first criminal acts.
We have no idea who took the photograph or how he had come to have the original print in his possession, but it appears that it held some significance for him as he kept it all of his life locked away in his bureau drawer.
Dudley High Street is not only inhabited by human beings, but also by animals. Looking back on the formation of most cities, we can see the common attraction of urban landscapes to humans and and wild animals. I used recycled corrugated paper to make this creative painting. It shows the causal relationship between climate change and animals’ loss of habitat and forced into urban life when human beings are developing cities. It highlights the importance of protecting the environment while developing Dudley High Street in the future.
Explore The History Of Site Voids - This will provide an opportunity to reimplement these to allow vertical green corridors to occur.
Explore Vacant Buildings - To avoid damaging an already deteriorating high street, I aim only to take over vacant plots.
Investigate the opportunity for Miyawaki planting - understand the conditions required to grow a sustainable material source on-site, including ground, water, and space conditions.
It takes over a building that leads directly to an open space where a community hub is the centre of the thesis, offering education, community engagement and material celebration.