Ryan is the owner of Slick Barbers he was born and grew up in Dudley and has been a long standing black business owner on Dudley High Street. He opened his shop when he was in his late teens and continues to be a role model in Dudley's Black community.
This gift represents the green spaces around CoLab Dudley and the connections they have to the high street. The black point marks the location of the High Street and the other pins mark each green space within the High Street’s immediate location. The lines act as a travel route that you may take in order to get from one green space to another. From this we can establish that there is a lack of greenery in some spaces. This then impacts the High Street as people do not need to use it as a travel route. By simply creating more of these green spaces like in the top right it will add more connections to the High Street which will draw more people to this particular location.
Subway
Here, it’s all about the brand.
Green and yellow
Flashes of black
As staff move quickly to
Make subs
6 inch
Foot long
In the lunchtime rush
It’s all go, go, go.
Here, it’s all about the image.
New York subways
Map the walls
Alongside
Legends
Heroes
Iconics
Classics
Not names I would associate
With sandwiches
But to be fair I am not the target here
Too old by a country mile.
Here, it’s all about immediacy
Driven by technology
Attractive to young minds
Thumbs scroll over phones
To place orders
To make payments
To text their mate, who’s
Sat right next to them
Phones, phones, phones
As the Deliveroo driver
Double parks across the street
To pick up a meal deal
As ovens ping and
Cookies slide off trays and
A student picks and goes
No desire to sit in or
Wait a while.
Here, it’s all about speed and
It is busy.
A boy in a boiler suit
Made for a man
Jokes with his mate
He can’t decide what to order
There’s too much choice
He doesn’t know what he wants
He needs inspiration and
The counter guy offers him help
Bread style
Filling
Extra cheese
Drink and a cookie.
His mate ribs him
For getting double Jalapenos
But he doesn’t care.
Here, it’s all about the future
Contactless
A space in which a new generation move
Transactional
The model of a brave new world
Phone app ordering
Because this is what some people want
Safe
Easy
Quick
Convenient
Just because it’s not for me
Doesn’t make it wrong and
Judging by the queue at the door
They’re obviously doing something right.
I leave as another delivery
Heads out the door.
Boilersuit boy is making his way down the High Street
Back to college.
I’m sure he’ll be back tomorrow
Grateful for the help with his order.
Caribbean One Stop
The sign above the door
Shows a tropical island
But in Dudley Town
There’s a chill in the air
As Earl runs nine miles
Before jam and toast and
A cup of tea with nine sugars
To recharge batteries.
He’s not getting any younger but
Age is just a mindset.
When you’ve worked forty years
On the wholesale markets
Grafting and providing
Your perspective shifts
To what is really important.
We talk family
Community
Among plantain and yams
We talk heritage
Education
Among chopped hake and Jamaican pears.
Gloria can’t find any mangos
Because Earl has stashed them
Behind the counter
Too soft and sweet for handling.
When he gets a ripe breadfruit
Earl thinks of Gloria
“Know your customers”
He tells me
“Know a little bit about everything”.
I ask Gloria about
Triple Blue Cross
She tells me about white shirts
Bed linen
Drying under a Jamaican sun
This shop is an education
If you just ask the right questions.
Earl’s father came in 1954
Bloodlines stretched
Across continents
Across boundaries
Nigeria
Scotland
Jamaica
Germany
A mix Earl’s grown into
Via Handsworth
Birmingham
England.
He knows a Bristol accent
When he hears one
They talk about Montpelier
Meat markets in Newport
Veg markets in St Pauls
She comes from Tipton each month
To get the things she needs
It’s personal
She likes personal.
The freezer is full of
Chicken feet
Ox tail
Turkey neck
Cow foot
Flavour is the thing
Even water gets spiced
For mash Earl tells me
As he trims Ghanian yam
With a very sharp knife
To just the right size.
There is barely anything
I recognise in this shop
But I’m drawn to the colours
The stories
The journey
The difference
Halfway around the world or
Baked up the road
For customers who bang on the window and wave
Who stand in the doorway
Giving back the banter
Who leave with the Caribbean
In a blue plastic bag.
I leave with a bag of Zoomers
Earl tells me
“That once I taste Jamaica
I’ll be back”
I stand in the High Street
Cheesy snacks in hand
Reminding myself
To buy two packets next time.
PRODUCTIVE LANDSCAPE
To create a safe family friendly pedestrianised space on Dudley's high street. By changing up the landscape and introducing micro ecosystem on the high street we aim to improve the health and well-being for the planet as well as the people of Dudley.
Nurturing AgroEcology in Urban Life
A strategy for living alongside food production
A critical part of the climate crisis is the degradation of soil, leading to scientists predicting the UK has approximately 100 harvests left of stable crop production. As an attempt to address the problem this project will explore the possibility of integrating sustainable agriculture into an urban setting, reducing the strain on agricultural land, reducing food miles and widening city biodiversity. Taking guidance from the farming movement, ‘Agroecology,’ a climate conscious, wildlife supporting and community engaged closed loop system will be developed, combining traditional growing with technology driven techniques that will support each other to produce a diverse plate.
Dudley High Street will be the focal point, reinvented as a destination not just for the purchase and consumption of food but also its creation, driven by the needs and engagement of local people. Connecting the community to the food they eat.
My gift was created to highlight the importance of connections to Dudley high street through the use of transportation which is key to encouraging people to come and use the high street. The jigsaw shows a map of Dudley with the different types of transport and was made from paper and card.
A collage response to a Co.LAB gift for the High St - “It was nice to be able to use the image for something else. It made me think about placing the cut-out roadmap onto a slightly brighter future version, with colour, vibrancy and plantlife, so that it reminds me what we are heading towards, but still with a hark back to the people and the industry that made Dudley the town it is...”
Ramsey’s
Wedged between G P Footwear and the Dental Surgery
Set back in the shadows under the circular cross
Behind the overspill of colour and dazzle
You will find Ramsey’s shop
Cornucopia of ladies fashion
Shoes
Handbags and
Accessories
Born out of West Brom clearance
Been six years grafting
Stretching a profit
Out of lycra and cotton
Cheaper than the exact same jeans
You will find in River Island or H&M
But people still like to haggle for
A pound off here
A fiver there
Ramsey is waiting
Waiting for the people to return
Waiting for Covid to subside
Waiting for the coats to fly
The joggers to shift gear
Blouses to find a new lease of life
So that the drive from Oldbury
Six days a week
Means more than just petrol in the tank
Wasted hours
Asking him about the future
Brings no sugar coating
Of what needs to change
More advertising please
Less traffic down the road
More foot-flow up this end
Where Ramsey offers
Cheap and cheerful
In all the colours of the rainbow
His rails rally already
Outside the shop
Where he would like to see
A revolution
People stop to pass the time though
To talk around it
Time for a change
One way or another
Time for a change
Sooner rather than later
While Ramsey soldiers on
Filling the street with colour
The sun glinting off
A nicely priced
Must have
Bake ‘n’ Butty
Fairy lights all year round
Three clocks working triple time
More seating at the rear and
Above the sound of something frying in a pan
Laughter
The scrape of cutlery on finished plates
Stacked and cleared
Two cappuccinos
Two toasted teacakes
Footsteps on the lino floor
The hum of radio from somewhere
The clash of a saucepan lid
Tea, milk, two sugars
The tapping of a spoon on a plastic bowl
Fishfinger sandwich to take away
Do you need a receipt?
It won’t be long, alright?
Chips sizzling in the deep fat
Steam escaping the coffee machine
There’s your knife and fork
Musical buttons singing from the till
No sugar, I’m sweet enough
A message left on the answering machine
Phone rings
How can I help you?
Mobile notification
Chatter
Printing
There’s your change
I’ll bring your coffee over
Sausage, egg and chips
Large breakfast, no beans
Two lattes
Milk delivery
Grated cheese in a bag
Butter balanced in the crock of an arm
Is there enough money in the till?
Bacon and egg sandwich to go
Cappuccino
Cheers love
It was lovely, thank you
All this is seen and heard as
I am joined at my table
To talk through
Covid
Cars
Past lives
Old homes
Acceptance
Cooking
Gender
Pubs
Health and
Putting the world back together
My tea is done
I pop my mug back on the counter
All this for the prices of a cuppa I think
Stepping out past the flashing fairy lights
TAKING BACK OWNERSHIP - To utilise the empty spaces and units on the high street with a place to celebrate the local institutions work. A space to help build a stronger connection within the community, creating a sense of fulfilment with the people of Dudley.
A cardboard box that when opened shows mirrors in all internal faces reflecting a web made with strings that represents Dudley as a complex system of interconnected elements. The Dudley High street has lack in colour, public spaces, and green areas, reflecting the local population that is experiencing deprivations and vice versa. Making a high street attractive can improve the local population in health, social and economic aspects.
Provision
I invite you to stand in my shoes
In the space between dark and light
To imagine a room laid bare
Where you sleep in the bath
In the clothes you wear every day
Because you don’t have a bed or
Even a mattress on the floor
To rest your tired frame.
You are in crisis
Slipped through the cracks It doesn’t matter how or why Just that you are here
Needing help
Needing compassion
Practical support
To get back on your feet
To feel cared for
Provided for
Prayers answered.
I sit here listening to Blur
On the CD player I have just bought from Provision House
A beacon-topped Aladdin’s cave of treasures
That occupies a space right opposite
It’s higher calling
Old Co-op
Old shoe shop
New lease of life
For this art-deco giant
Three floors of stepping back in time
Down history rich stairs
Through formica inlaid doors
Its belly stuffed with
Furniture and bedding
Tables and lamps
Wardrobes and kitchenware
The things that we take for granted
Destined for those that have nothing
Absolutely nothing
A lifeline.
In the shop I can still buy a pair of shoes
Anything an old department store may well have stocked
Ironic I feel.
They save the sleeping bags
To hand to homeless folk
Health-packs and new socks
Whatever helps.
The Food Club caters for those
That need to feed themselves
Their families
On budgets stretched to breaking
They mind the gap that governments should fill
By remembering that everybody counts Black Country rules.
Kim chats to a woman
Buying sticker-books for her granddaughter
Laughter slips through this conversation
Two books for a pound and you know
The girl will have a fun filled afternoon.
I ask about the future
Plans for expansion
Rooms to hire
Office space
Training programmes on their way
Perhaps a life for the room upstairs and I see progress
New from old
Right from wrong.
So, step through this door and lend a hand
To those that need it more than
You and I will ever understand.
In this picture from 1914 in Dudley, you can just make out my grandfather. He's the small boy with the cap running across Wolverhampton Street in the days when the trams were still running. Years later we worked out that this day was probably a defining moment in his life, the day he chose never to have a second thought or to be bullied by others. You can see him running. This is because he had stolen the ham you can see him carrying under his arm. This one action started a chain of events for my grandfather that would go on to dominate his formative years. Petty larceny, theft, criminal activity that would shape him, turn him into one of the most notorious villains in the Black Country.
When he died in 1972, this photograph turned up amongst his possessions, in a locked drawer of his bureau. We agreed amongst us that no one in the family had ever seen this photo before, curious as to its importance to him. On the back of the photo he had written the date and time, together with a brief note - "Me stealing ham from W.Smiths, butcher". He would have been 10 years old and this was perhaps his first, or at least one of his first criminal acts.
We have no idea who took the photograph or how he had come to have the original print in his possession, but it appears that it held some significance for him as he kept it all of his life locked away in his bureau drawer.
Dudley young people of black ethnicity worked together to put on a Fashion Talent and History show to celebrate Black heritage and fashion for Jamaican Independence day 2021. This show took place at the African Caribbean Centre in Dudley.
Localising Material Accessibility
During my initial walk through the High Street of Dudley, I noticed an inevitable decline in the area. There were vacant shops, but those open had apparent facade damage. For the area to thrive, there needs to be an aesthetical uplift. Here I began to question how to make the repairs. On the one hand, one could complete a like for like repair with a deep clean to provide a new lease of life to achieve an aesthetical value. Alternatively, the repairs could be a status of where the street aims to be in the future. To achieve a statement, the implementation of repair work needs to stand out. It needs to be futuristic, a bold contrast to the existing.
At this point, I decided that after being informed of the damage the built environment has on the climate crisis, only carbon zero/ carbon sequestering materials would be present during repairs. This does not aim to destroy existing buildings but instead carefully implement repairs creating a patchwork effect across the street. This would then grow over time as more repair work is required.
Over time, the high street would transform into a zero-carbon environment. The manufacturing and growth of these materials need to be local, so consideration is vital. This provides an opportunity for the site to be a material producer itself.
A day out in Dudley
Time inside passes slow,
So we went out for the day,
My favourite place to go,
The high street in Dudley
I'm sure that you'd agree
It's not like any other town,
There is lots to do and see
And there's space to run around
There's a playground there
Just in the middle of the street
And fruit growing everywhere
The strawberries taste so sweet
There's lots of places for grown-ups
Where they like to chat and sit
They say 'hello ya right bab?'
And then Tarra a bit.
There is no need to in
When it's black over bill's mother
Because should the rain begin
The canopy is the perfect cover
The grown-ups pick the veggies
And call come get some grub
We jump down from our climbing trees
And head over to the food hub
We get the buz back home for tea
And get it down our wazzin
I look back on the day with glee
My Dudley town is bostin.
Our collective vision for Dudley is to support a creative community that is connected through our internet of things; creating spaces that allow for the collection and redistribution of materials that locals can use to construct products with. Community engagement is central to this design network with local businesses encouraged to get involved in manufacturing.
We decided to bring alive this vision through a series of pavilions positioned through the High Street, following a process through recycling, storing constructing and manufacturing. To take this idea further, we allocated several empty units along the High Street to become spaces involved in the open factory, from workshops, educational centres and co-working hubs. Since we wanted to show the journey people would be able to take, we decided to create a storyboard for our final visual.
These visuals show how the pavilions could sit in the High Street, starting at the market place, past CoLab Dudley’s base, and ending up at Top Church. We wanted to show how people would be able to interact with these different spaces and navigate between them.
The themes I investigated were the Connections, Movement, Routes and Ways. My gift explores those themes through a figurative expression hidden within the structure of the dreamcatcher, allowing for a flexible interpretation by the audience, and to aid the imagination.
The structure of the dreamcatcher symbolizes the relationship between the destination and the journey the user undertakes, but while it highlights the importance of the destination, placing it in the centre as the biggest piece, it emphasizes the significance of the journey over the destination in the ratio of one big element vs many small elements.
This can be relevant to the High Street, if the connections are thought of beyond the transport means, and can relate to anything from the layout of the landscape of the High Street, to the interactions between the users.
The web symbolizes the connections between the pieces, plotting the blue foam pieces around the different lengths of the thread, off the centre where the destination piece is plotted. This is meant to show how the connections can be made in various ways and that there is no set order or pattern, meaning that the movement is individual and the connections are adaptable.
The blue foam pieces can be viewed as points or highlights of the journey, or they can represent different ways of getting to, and from the centre, suggesting that the journey doesn’t end with the destination.
Another way in which the web can be interpreted is that the small foam pieces are the destinations, the thread is the connection between them and the big piece symbolizes the decision making.
Golden Touch
It’s my wedding anniversary
Ari is cutting my hair
“To make you look younger”
He says
We guess each other’s age
A trick he’s pretty good at
We talk about daughters
Sons
Families
How he goes back every year
When he can
To northern Iran
But really his family’s here now
Round the houses in Brum
From a young age
Now his home is Dudley
Four years in the shop
Cutting
Blending
Trimming
The heat from the hair dryer
Beats the sweepings to the floor and
I escape for twenty minutes
In the stories
In the swift hands
The mirrors
Posters from a bygone age
Product on the shelves
The smell of wax and leather
Scissors sweep over the comb and
I learn that the skills are hard taught
From the first time with the razor
To the years later
Efficient
Precise
Art in my eyes
Soon his brother will join him
From Manchester
Where he’s currently learning
To catch up
The future is all about the family and
I hope the shop is still here
For when his son
Picks up the scissors
For the first time
Thanks for the haircut Ari
It took years off me
Dudley High Street is not only inhabited by human beings, but also by animals. Looking back on the formation of most cities, we can see the common attraction of urban landscapes to humans and and wild animals. I used recycled corrugated paper to make this creative painting. It shows the causal relationship between climate change and animals’ loss of habitat and forced into urban life when human beings are developing cities. It highlights the importance of protecting the environment while developing Dudley High Street in the future.
Nationwide
Millions of members strong
Building society
Nationwide
Staffordshire
Portman
Nationwide
Since ’67 in Dudley town
Nearly sixty years serving a community
People love a building society don’t they
Not quite a bank
More like a club
They come clutching blue passports
A steady trickle
Popping in to do their financials
There’s bunting over the office door
Radio through the speakers
Comfy chairs to rest awhile
Friendly
Homely
Familiar
Certificates recognise commitment
From one to thirty years
Ashleigh, Sarah, Isla
Lisa, Samantha
Displayed on shelves alongside photographs
Pride of place
The buzzer brings a rush for the door
Scurrying footsteps on laminate floor
Jangle of keys on a lanyard
Always a thank you and a kind welcome
As chat starts up
About Covid
Hearing aids
Lost keys
Shopping up the town
Holidays
Pulled back muscles
Schools going back
Family
The drive to Cornwall
The cash machine whirs in the background
Dispensing spendies for the Full Moon next door
As an old couple
In matching purple fleeces
Shuffle up to the counter together
I look at the Community Board
Wonder if my wife is up for knitting
Bonnets and booties
For Russells Hall
Or if I know a charity that
Might benefit from the community fund
Or if I have some spare tins
For the food bank
There’s a lot going on
A lot to support
I see stability
Even though the future of the High Street
Is hard to call
Not sure where it’s going
Without investment in the shops
Which they watch come and go
Having looked out the window for six decades
Seen it all
In all its glory
This place is about people
Conversation
Continuity
Permanence
In a world that’s shifting fast
Leaving some behind
Who come here
To remember what helpful feels like
Connection
Belonging
Inclusion
The couple are at the door now
Saying their goodbyes
See you next week
Take care of yourselves
Tarabit
As they link arms and
Waltz out into the sunshine
The third Stepping Stone project attempted to design the community kitchen in one of the empty shops on Dudley High Street. We all know that food is an essential factor in our life and eating and cooking the food is not an abstract activity we do, it is part of our everyday routine. In our initial research, we found that many people live alone in compact housing on the High Street. We thought the kitchen connect the residents with society. We decided to make the process of preparing food more enjoyable. As our aim was to grow food on the street wherever possible, we can use these vegetables for the community kitchen. This will encourage residents to come down onto the street and engage with it. This could also be a new experience for the visitors of the High Street.
The first Stepping Stone project looks into designing multifunctional furniture for Dudley High Street to provide opportunities for a regenerative community, focusing on how the high street can be occupied with resilience. Initially, the stalls act as market stalls to provide opportunities for enterprises and small businesses to begin thriving and encouraging the High Street to become a place of inclusivity.
However, the stalls can extend out into outdoor seating arrangements, which can become an extension of the community kitchen and during events can become a part of the whole atmosphere.
By extending the furniture, they can connect together and become a large spread where people can sit together and enjoy company. It creates a lowered centre space so children can sit together, or paint on the surfaces. We decided to focus on furniture because we felt the importance of it can go unrecognised. We felt through the design of this market stall, many memories can be created and attached to these items, and become valuable assets within the community.
The interior of the community kitchen would be inviting and colourful to create a positive atmosphere. The colours were abstracted from one of our group collages of food. The kitchen counters are not considered as a back of house element; they have been combined with seating as we are trying to embrace the cooking process. The kitchen desk is designed in a way so multiple people can work together from all sides, with central storage for herbs.
The facade of the kitchen contains a small window so food can be sold outside. We have also created a vertical herb garden so it can be used in the community kitchen. We wanted to keep these below eye-line so people outdoors have a clear view into what’s going on inside.
This street section shows activity from the back of the community kitchen to the other end of the street and how all these elements are working coherently. The street is filled more with people rather than cars. We believe that the outdoor seating, more trees, canopies and street lights can attract people to connect with the High Street.
Caffe Min
Breakfast
Lunch
Meal deal
Everything you would expect
Fresh from the takeaway menu
Ham baguette
With a little bit of mayonnaise
Jacket potato
Hot cup of coffee
Bacon sarnie
Brown sauce
Not red
Tikka mint mayo panini
Something you might not expect
Sunglasses!
I sit on a long bench
Listening to Tainted Love
Over the radio
Reading one of the many signs
About coffee and good vibes
Jayne and Mustafa
Serve the steady flow of regulars
Some sit outside most of the day
Watching
Chatting
Taking it all in
There’s always a spot for them
As others come and go
Mustafa hopes that more regulars
Will return
From offices
When they can
The future seems uncertain
Until normality returns
Since West Brom
27 years ago
Jayne and Mustafa
Have been working together
She says she “has a thick skin to have put up with him for so long”
He says “she’s the second woman in his life”
Cheerful banter
From a lifetime of serving
Cooking
Cleaning
Managing
This is their third café in Dudley
23 years and still going
Opposite the Full Moon
Tables and chairs on the pavement
Watching the comings and goings
I end up chatting to Kath
Over a cup of tea
As she gets a sausage baguette
For the lady she volunteers with
Kath comes every Friday
For breakfast with her friends and
I see how this all takes shape
Regular
Reliable
Dependable
I say goodbye
Head back up the town
As Magic FM fades in the distance
I think I’ll probably pop in again
For a cup of tea
My purpose of my Gift to Dudley High Street is to encourage the users to become involved in the changes that occur in a place they use. The aim is to gain feedback from the users of the game to inform any progress made, this way, the focus of regeneration can come from the users themselves, becoming a collective collaboration. Through the users interacting with each other on the High Street using this game, the presence of users can be recognised, reminding the people of a sense of community to promote and celebrate going forward.
Nurturing AgroEcology in Urban Life
A strategy for living alongside food production
A critical part of the climate crisis is the degradation of soil, leading to scientists predicting the UK has approximately 100 harvests left of stable crop production. As an attempt to address the problem this project will explore the possibility of integrating sustainable agriculture into an urban setting, reducing the strain on agricultural land, reducing food miles and widening city biodiversity. Taking guidance from the farming movement, ‘Agroecology,’ a climate conscious, wildlife supporting and community engaged closed loop system will be developed, combining traditional growing with technology driven techniques that will support each other to produce a diverse plate.
Dudley High Street will be the focal point, reinvented as a destination not just for the purchase and consumption of food but also its creation, driven by the needs and engagement of local people. Connecting the community to the food they eat.
We created a visual representation of the main factors and sectors we came across in our research and explored individually: environment, economy, technology and education. It also summarises our goal of creating a connected High Street, and the steps we took to achieve this goal.
This gift aims to address the disconnect between Dudley and its industrial history. Once the ‘Capital of the Black Country’ its high street now looks like any other. With the intention of public engagement, this gift could be handed out at CoLab Dudley’s base. Starting from there, people would be able to follow the map and visit the places marked by stars — all of which hold some historical significance whether it be the location of an old factory or school — where one missing puzzle piece may be located. Only after visiting these locations would they be able to complete the puzzle and see the final image of Dudley’s high street.