A sketch showing workshops utilising the empty spaces, street furniture, canopies on the side, and street art to brighten and liven the current High Street.
Looking to be the centrepiece of our exhibition, we proposed to create a site model of Dudley Highstreet at 1:200 scale with buildings modelled in a simple form. Local residents and visitors to the exhibition are then invited to decorate a chosen building to how they would envision it sat within the context of a greener Highstreet. We want to tie in our themes of biodiversity and materials by proposing that buildings can, and do, have the potential to be a lot healthier, sustainable, and interactive on the street. This site model also helps gain vital public opinions on the Highstreet and prompts discussion of areas most in need of attention.
To ensure that the model is utilising the MDF to the most efficient standard possible. First, the centres of the massing blocks have been hollowed out. This allows a reduction in materials used as other buildings can be cut in the centres of the model. Then the top is finished with a solid piece.
The waste material is placed into the recycling rack where other students can reuse it; otherwise, if the material left cannot be used for another project, it is recycled correctly by the university.
The model spanned just over 3.4m long and over 50cm wide. With the majority being cut from scrap woods that would fit the jigsaw of the shape, we were able to drastically cut down on waste. We also got some small benches and bee hives printed from recycled plastics, and used dried flowers as trees to represent the green spaces. Ultimately, the model seemed like a huge success, and really helped portray our ideas about Dudley High Street to those who came by. Everyone from Dudley who saw the model knew that it was the High Street, and interacted well with it. The size did make it difficult to move, especially to carry to the site, but it sat nicely in the centre of the the room and really drew people in to interact with it.
The model brought people in from outside to play with, write on, interact with. It became a spectacle for the public to come in and see what was happening and offer their ideas about what could be done.
The event was a success. Many people from the public (those who heard about the event, and those who just happened across it on the day) came in to interact with the model, which sat as the centre piece in the room. Kids liked to play with the pieces while the adults talked about things that could come from actions to help the High Street, not just leave it as is.
SOME OF THE KEY IDEAS WERE:
- The Shops need to be inviting for everyone. It’s no good having these places to go if people would rather take a bus to the next town.
- Just putting up boards across the windows is awful. Paint, Posters, Graffiti: Anything that actually makes the High Street look still alive is better than just wooden boards.
- More Green is needed. While it is obvious that there is a lack of Trees, many people wanted to push for these small bushes or planting spaces that could easily be implemented across the street.
- Spaces for public events or for people to at least gather at. While there is the Market and Fountain, it is not enough for the people of Dudley.
- Something needs to be done about the cars on the High Street. Some were Pro-Removal of all Cars, while some just wanted to limit when they could access the High Street.
Following the exhibition we created a series of drawings with our own interpretation of Sarah Wigglesworth ‘The Dining Table’ drawing. The drawings are a perfect representation of the our interactive model at the ERA Environmental Exhibition and Event. Showing the interaction the public had with the model, as well as the conversations that were held around the model.
The second Stepping Stone project focused on the representation of colour and revitalising frontages. During our group discussions, we recognised the negligence of existing colour on Dudley High Street. Colour is a key element we believe can bring a sense of brightness into the High Street, and an element that should be of focus when revitalising the frontages.
In this example, we have approached the frontage for the community kitchen we envision. The visual showcases a Community Kitchen in which different herbs and spices can be grown. These can then be used to cook the many dishes respective to the different cultures existing on the High Street. Each frontage can respond to the different uses of the buildings to promote individuality across the street.
A cardboard box that when opened shows mirrors in all internal faces reflecting a web made with strings that represents Dudley as a complex system of interconnected elements. The Dudley High street has lack in colour, public spaces, and green areas, reflecting the local population that is experiencing deprivations and vice versa. Making a high street attractive can improve the local population in health, social and economic aspects.
Ramsey’s
Wedged between G P Footwear and the Dental Surgery
Set back in the shadows under the circular cross
Behind the overspill of colour and dazzle
You will find Ramsey’s shop
Cornucopia of ladies fashion
Shoes
Handbags and
Accessories
Born out of West Brom clearance
Been six years grafting
Stretching a profit
Out of lycra and cotton
Cheaper than the exact same jeans
You will find in River Island or H&M
But people still like to haggle for
A pound off here
A fiver there
Ramsey is waiting
Waiting for the people to return
Waiting for Covid to subside
Waiting for the coats to fly
The joggers to shift gear
Blouses to find a new lease of life
So that the drive from Oldbury
Six days a week
Means more than just petrol in the tank
Wasted hours
Asking him about the future
Brings no sugar coating
Of what needs to change
More advertising please
Less traffic down the road
More foot-flow up this end
Where Ramsey offers
Cheap and cheerful
In all the colours of the rainbow
His rails rally already
Outside the shop
Where he would like to see
A revolution
People stop to pass the time though
To talk around it
Time for a change
One way or another
Time for a change
Sooner rather than later
While Ramsey soldiers on
Filling the street with colour
The sun glinting off
A nicely priced
Must have
Caribbean One Stop
The sign above the door
Shows a tropical island
But in Dudley Town
There’s a chill in the air
As Earl runs nine miles
Before jam and toast and
A cup of tea with nine sugars
To recharge batteries.
He’s not getting any younger but
Age is just a mindset.
When you’ve worked forty years
On the wholesale markets
Grafting and providing
Your perspective shifts
To what is really important.
We talk family
Community
Among plantain and yams
We talk heritage
Education
Among chopped hake and Jamaican pears.
Gloria can’t find any mangos
Because Earl has stashed them
Behind the counter
Too soft and sweet for handling.
When he gets a ripe breadfruit
Earl thinks of Gloria
“Know your customers”
He tells me
“Know a little bit about everything”.
I ask Gloria about
Triple Blue Cross
She tells me about white shirts
Bed linen
Drying under a Jamaican sun
This shop is an education
If you just ask the right questions.
Earl’s father came in 1954
Bloodlines stretched
Across continents
Across boundaries
Nigeria
Scotland
Jamaica
Germany
A mix Earl’s grown into
Via Handsworth
Birmingham
England.
He knows a Bristol accent
When he hears one
They talk about Montpelier
Meat markets in Newport
Veg markets in St Pauls
She comes from Tipton each month
To get the things she needs
It’s personal
She likes personal.
The freezer is full of
Chicken feet
Ox tail
Turkey neck
Cow foot
Flavour is the thing
Even water gets spiced
For mash Earl tells me
As he trims Ghanian yam
With a very sharp knife
To just the right size.
There is barely anything
I recognise in this shop
But I’m drawn to the colours
The stories
The journey
The difference
Halfway around the world or
Baked up the road
For customers who bang on the window and wave
Who stand in the doorway
Giving back the banter
Who leave with the Caribbean
In a blue plastic bag.
I leave with a bag of Zoomers
Earl tells me
“That once I taste Jamaica
I’ll be back”
I stand in the High Street
Cheesy snacks in hand
Reminding myself
To buy two packets next time.
This gift represents the green spaces around CoLab Dudley and the connections they have to the high street. The black point marks the location of the High Street and the other pins mark each green space within the High Street’s immediate location. The lines act as a travel route that you may take in order to get from one green space to another. From this we can establish that there is a lack of greenery in some spaces. This then impacts the High Street as people do not need to use it as a travel route. By simply creating more of these green spaces like in the top right it will add more connections to the High Street which will draw more people to this particular location.
Stepping Stone 4 adds layers to the High Street. Like the other visions, we wanted to use CoLab Dudley’s principles ‘use nature as a guidebook’ and ‘create conditions for curiosity and experimentation’. The main way we proposed to do this was adding a green canopy to provide shelter, create a hybrid indoor outdoor space welcoming to families and a more communal open space, and support ecosystems.
Stepping Stone 2 is about making the High Street bespoke to Dudley through street furniture. We wanted to make the High Street more sociable and colourful. By providing outdoor seating areas, people would be invited to speak to each other and bring back a sense of community.
A collage response to a Co.LAB gift for the High St - “It was nice to be able to use the image for something else. It made me think about placing the cut-out roadmap onto a slightly brighter future version, with colour, vibrancy and plantlife, so that it reminds me what we are heading towards, but still with a hark back to the people and the industry that made Dudley the town it is...”
Ryan is the owner of Slick Barbers he was born and grew up in Dudley and has been a long standing black business owner on Dudley High Street. He opened his shop when he was in his late teens and continues to be a role model in Dudley's Black community.
The first Stepping Stone project looks into designing multifunctional furniture for Dudley High Street to provide opportunities for a regenerative community, focusing on how the high street can be occupied with resilience. Initially, the stalls act as market stalls to provide opportunities for enterprises and small businesses to begin thriving and encouraging the High Street to become a place of inclusivity.
However, the stalls can extend out into outdoor seating arrangements, which can become an extension of the community kitchen and during events can become a part of the whole atmosphere.
By extending the furniture, they can connect together and become a large spread where people can sit together and enjoy company. It creates a lowered centre space so children can sit together, or paint on the surfaces. We decided to focus on furniture because we felt the importance of it can go unrecognised. We felt through the design of this market stall, many memories can be created and attached to these items, and become valuable assets within the community.
This post develops what the community kitchen has to offer with street grown resources and community engagement.
(We decided to present our narrative through social media and instagram posts as we wanted to showcase what individual experiences might be like when experiencing the future High Street. Each of our posts captures a different element of experience on the High Street to form a collective scenario.)
Lichen as bioindicators
Lichen Vs Carbon. These concept models look to document both the current state of Dudley Highstreet and the vision looking towards the future within this thesis project.
The lichen covered model looks towards a future in Dudley that is rich in texture, colour, nature and oxygen. Natural materials promote natural growth, and textures such as rough sawn timber and stone are the prefect hosts for lichen. All new buildings in Dudley would benefit massively from following a fabric first approach and adopt the use of sustainable and recycled building materials along with systems that use minimal energy.
The lichen model represents a vision for this thesis, buildings that are covered in natural materials and lichens that help sequester carbon and promote a healthier Highstreet. Suggestions of raised buildings also proposes less disruption to the ground and natural landscape, giving plants and animals the opportunity to thrive in an otherwise hostile concrete environment. Raised buildings also look towards a future planet with rising sea levels, future factors that will drastically affect the way we carry out daily lives and futureproofing all buildings for generations to come.
This second model uses the Shou Sugi Ban method of charring timber to waterproof it. In this case however it represents the embodied carbon and pollution within the highstreet as it exists now. The simplicity and repetition is also used to symbolise the plain nature of the highstreet with only a few materials exhibited, mainly brick & concrete. Once burnt the timber forms were brushed with wire wool to reveal the natural grain of the wood, a visual representation of degradation of layers of buildings that are built poorly or not constructed to last longer than a generation.
Caffe Min
Breakfast
Lunch
Meal deal
Everything you would expect
Fresh from the takeaway menu
Ham baguette
With a little bit of mayonnaise
Jacket potato
Hot cup of coffee
Bacon sarnie
Brown sauce
Not red
Tikka mint mayo panini
Something you might not expect
Sunglasses!
I sit on a long bench
Listening to Tainted Love
Over the radio
Reading one of the many signs
About coffee and good vibes
Jayne and Mustafa
Serve the steady flow of regulars
Some sit outside most of the day
Watching
Chatting
Taking it all in
There’s always a spot for them
As others come and go
Mustafa hopes that more regulars
Will return
From offices
When they can
The future seems uncertain
Until normality returns
Since West Brom
27 years ago
Jayne and Mustafa
Have been working together
She says she “has a thick skin to have put up with him for so long”
He says “she’s the second woman in his life”
Cheerful banter
From a lifetime of serving
Cooking
Cleaning
Managing
This is their third café in Dudley
23 years and still going
Opposite the Full Moon
Tables and chairs on the pavement
Watching the comings and goings
I end up chatting to Kath
Over a cup of tea
As she gets a sausage baguette
For the lady she volunteers with
Kath comes every Friday
For breakfast with her friends and
I see how this all takes shape
Regular
Reliable
Dependable
I say goodbye
Head back up the town
As Magic FM fades in the distance
I think I’ll probably pop in again
For a cup of tea
Nationwide
Millions of members strong
Building society
Nationwide
Staffordshire
Portman
Nationwide
Since ’67 in Dudley town
Nearly sixty years serving a community
People love a building society don’t they
Not quite a bank
More like a club
They come clutching blue passports
A steady trickle
Popping in to do their financials
There’s bunting over the office door
Radio through the speakers
Comfy chairs to rest awhile
Friendly
Homely
Familiar
Certificates recognise commitment
From one to thirty years
Ashleigh, Sarah, Isla
Lisa, Samantha
Displayed on shelves alongside photographs
Pride of place
The buzzer brings a rush for the door
Scurrying footsteps on laminate floor
Jangle of keys on a lanyard
Always a thank you and a kind welcome
As chat starts up
About Covid
Hearing aids
Lost keys
Shopping up the town
Holidays
Pulled back muscles
Schools going back
Family
The drive to Cornwall
The cash machine whirs in the background
Dispensing spendies for the Full Moon next door
As an old couple
In matching purple fleeces
Shuffle up to the counter together
I look at the Community Board
Wonder if my wife is up for knitting
Bonnets and booties
For Russells Hall
Or if I know a charity that
Might benefit from the community fund
Or if I have some spare tins
For the food bank
There’s a lot going on
A lot to support
I see stability
Even though the future of the High Street
Is hard to call
Not sure where it’s going
Without investment in the shops
Which they watch come and go
Having looked out the window for six decades
Seen it all
In all its glory
This place is about people
Conversation
Continuity
Permanence
In a world that’s shifting fast
Leaving some behind
Who come here
To remember what helpful feels like
Connection
Belonging
Inclusion
The couple are at the door now
Saying their goodbyes
See you next week
Take care of yourselves
Tarabit
As they link arms and
Waltz out into the sunshine
Dudley market had had very few black traders this is Pitshuo is from Congo and her business is RPA fabrics and hair. She has journeyed from Congo to Dudley high street.
In this post, we captured the street’s atmosphere filled with colour, activity, and pedestrianised streets.
(We decided to present our narrative through social media and instagram posts as we wanted to showcase what individual experiences might be like when experiencing the future High Street. Each of our posts captures a different element of experience on the High Street to form a collective scenario.)
This gift was created to highlight different points in the social spaces on the high street. Aspects that we can improve on and celebrate. One point found was to incorporate more green spaces to improve health and wellbeing. The other to celebrate the textures and embossings in Dudley’s early ironworking. These ornaments were created by melting sweets and printing patterns onto them.
The third Stepping Stone project attempted to design the community kitchen in one of the empty shops on Dudley High Street. We all know that food is an essential factor in our life and eating and cooking the food is not an abstract activity we do, it is part of our everyday routine. In our initial research, we found that many people live alone in compact housing on the High Street. We thought the kitchen connect the residents with society. We decided to make the process of preparing food more enjoyable. As our aim was to grow food on the street wherever possible, we can use these vegetables for the community kitchen. This will encourage residents to come down onto the street and engage with it. This could also be a new experience for the visitors of the High Street.
This post promotes the opening of a community kitchen, supported by the Participatory City model.
(We decided to present our narrative through social media and instagram posts as we wanted to showcase what individual experiences might be like when experiencing the future High Street. Each of our posts captures a different element of experience on the High Street to form a collective scenario.)
Dudley young people of black ethnicity worked together to put on a Fashion Talent and History show to celebrate Black heritage and fashion for Jamaican Independence day 2021. This show took place at the African Caribbean Centre in Dudley.
Subway
Here, it’s all about the brand.
Green and yellow
Flashes of black
As staff move quickly to
Make subs
6 inch
Foot long
In the lunchtime rush
It’s all go, go, go.
Here, it’s all about the image.
New York subways
Map the walls
Alongside
Legends
Heroes
Iconics
Classics
Not names I would associate
With sandwiches
But to be fair I am not the target here
Too old by a country mile.
Here, it’s all about immediacy
Driven by technology
Attractive to young minds
Thumbs scroll over phones
To place orders
To make payments
To text their mate, who’s
Sat right next to them
Phones, phones, phones
As the Deliveroo driver
Double parks across the street
To pick up a meal deal
As ovens ping and
Cookies slide off trays and
A student picks and goes
No desire to sit in or
Wait a while.
Here, it’s all about speed and
It is busy.
A boy in a boiler suit
Made for a man
Jokes with his mate
He can’t decide what to order
There’s too much choice
He doesn’t know what he wants
He needs inspiration and
The counter guy offers him help
Bread style
Filling
Extra cheese
Drink and a cookie.
His mate ribs him
For getting double Jalapenos
But he doesn’t care.
Here, it’s all about the future
Contactless
A space in which a new generation move
Transactional
The model of a brave new world
Phone app ordering
Because this is what some people want
Safe
Easy
Quick
Convenient
Just because it’s not for me
Doesn’t make it wrong and
Judging by the queue at the door
They’re obviously doing something right.
I leave as another delivery
Heads out the door.
Boilersuit boy is making his way down the High Street
Back to college.
I’m sure he’ll be back tomorrow
Grateful for the help with his order.
This post captures the street qualities where the visitors experience the colour and aromas of the food.
(We decided to present our narrative through social media and instagram posts as we wanted to showcase what individual experiences might be like when experiencing the future High Street. Each of our posts captures a different element of experience on the High Street to form a collective scenario.)
A More-Than-Human Story of Dudley High Street
This story is a collective outcome after utilising completed Street Detectorism maps, and More-Than-Human findings to create of 'A More-Than-Human Story of Dudley High Street'.
As part of a dissertation study, this workshop invited participants to share their imagination and develop stories from the previous findings on Dudley High Street. This story creatively archives nature on Dudley High Street, with emphasis for the value of storytelling and nature at the forefront of this task.
The inner circle represents the average colours of the Dudley High Street - the outer circle is the inverted version. Boasting more greens and purples (with a hint of orange), this new colour pallete sits a lot more comfortably with the surrounding nature reserves. If Dudley decided to just paint over their existing facades, Dudley could be nestled gently within the great nature spaces around it, instead of just being a town that exists ontop of green spaces.
The meaning behind this gift is composed of three main foundations which are biodiversity, social and enclosure. The box represents the enclosed feeling of the surrounding buildings that you receive when walking down Dudley High Street. The ‘High Street’ gives the impression that the buildings are closing in on you, with very little open space around. The open element of the box is to create an airy space which is what Co-LAB Dudley is trying to achieve and make the atmosphere more sociable for the local people/ community. Therefore, attracting more people to the high street. Conducting research it is evident that the ‘High Street’ severely suffers from a lack of green space resulting in a lack of biodiversity across Dudley. Centrally, located within the box is a rose which resembles the biodiversity and the need for growth amongst the ‘High Street’. The white rose connotes the purity for the future of Dudley High Street and what it could become.
The interior of the community kitchen would be inviting and colourful to create a positive atmosphere. The colours were abstracted from one of our group collages of food. The kitchen counters are not considered as a back of house element; they have been combined with seating as we are trying to embrace the cooking process. The kitchen desk is designed in a way so multiple people can work together from all sides, with central storage for herbs.
The facade of the kitchen contains a small window so food can be sold outside. We have also created a vertical herb garden so it can be used in the community kitchen. We wanted to keep these below eye-line so people outdoors have a clear view into what’s going on inside.
This street section shows activity from the back of the community kitchen to the other end of the street and how all these elements are working coherently. The street is filled more with people rather than cars. We believe that the outdoor seating, more trees, canopies and street lights can attract people to connect with the High Street.
Timeline of Dudley’s History with information on historic buildings and geological features of the High Street.
Dudley has a rich history by being know as a busy market town and being a capital for manufacturing.
The timeline emphasises the rapid change of the traditional industries in Dudley and how it has effected the High Street.
From the research that I collated, I found that the High Street was a very under-valued place that lacked both colour and nature. Therefore, the origami plant holder was a gift designed to bring natural elements such as flowers to the High Street, which could be taken home by the public.