Material Accessibility is The Problem
The accessibility to brick products outweigh that of the hemp equivalent. But why?
Nurturing AgroEcology in Urban Life
A strategy for living alongside food production
A critical part of the climate crisis is the degradation of soil, leading to scientists predicting the UK has approximately 100 harvests left of stable crop production. As an attempt to address the problem this project will explore the possibility of integrating sustainable agriculture into an urban setting, reducing the strain on agricultural land, reducing food miles and widening city biodiversity. Taking guidance from the farming movement, ‘Agroecology,’ a climate conscious, wildlife supporting and community engaged closed loop system will be developed, combining traditional growing with technology driven techniques that will support each other to produce a diverse plate.
Dudley High Street will be the focal point, reinvented as a destination not just for the purchase and consumption of food but also its creation, driven by the needs and engagement of local people. Connecting the community to the food they eat.
Stepping Stone 2 is about making the High Street bespoke to Dudley through street furniture. We wanted to make the High Street more sociable and colourful. By providing outdoor seating areas, people would be invited to speak to each other and bring back a sense of community.
By using the courtyard space as allotments, it will create a social hub for the local people and connect it to local businesses and stores.
In this post, we captured the street’s atmosphere filled with colour, activity, and pedestrianised streets.
(We decided to present our narrative through social media and instagram posts as we wanted to showcase what individual experiences might be like when experiencing the future High Street. Each of our posts captures a different element of experience on the High Street to form a collective scenario.)
The fourth Stepping Stone project focused on the design of 2-in-1 flower pot seating for the exterior of the community kitchen. The design also integrates a canopy for growing herbs to also use in the kitchen. Through a collaboration with another Time Rebel collecting reusable waste, we thought about how this could be integrated into the materiality of this concept. The product analysis of this design is that it has a detachable seat to cater for a variety of arrangements. The flower pot can be raised to create a seating area, and lowered to be become a flower pot on the High Street.
Localising Material Accessibility
During my initial walk through the High Street of Dudley, I noticed an inevitable decline in the area. There were vacant shops, but those open had apparent facade damage. For the area to thrive, there needs to be an aesthetical uplift. Here I began to question how to make the repairs. On the one hand, one could complete a like for like repair with a deep clean to provide a new lease of life to achieve an aesthetical value. Alternatively, the repairs could be a status of where the street aims to be in the future. To achieve a statement, the implementation of repair work needs to stand out. It needs to be futuristic, a bold contrast to the existing.
At this point, I decided that after being informed of the damage the built environment has on the climate crisis, only carbon zero/ carbon sequestering materials would be present during repairs. This does not aim to destroy existing buildings but instead carefully implement repairs creating a patchwork effect across the street. This would then grow over time as more repair work is required.
Over time, the high street would transform into a zero-carbon environment. The manufacturing and growth of these materials need to be local, so consideration is vital. This provides an opportunity for the site to be a material producer itself.
Nurturing AgroEcology in Urban Life
A strategy for living alongside food production
A critical part of the climate crisis is the degradation of soil, leading to scientists predicting the UK has approximately 100 harvests left of stable crop production. As an attempt to address the problem this project will explore the possibility of integrating sustainable agriculture into an urban setting, reducing the strain on agricultural land, reducing food miles and widening city biodiversity. Taking guidance from the farming movement, ‘Agroecology,’ a climate conscious, wildlife supporting and community engaged closed loop system will be developed, combining traditional growing with technology driven techniques that will support each other to produce a diverse plate.
Dudley High Street will be the focal point, reinvented as a destination not just for the purchase and consumption of food but also its creation, driven by the needs and engagement of local people. Connecting the community to the food they eat.
Here's some stuff in a locked yard (that just happened to be open) down Wolverhampton Street. There are what look like two chapels in there.
Building Deterioration
There was a familiar aesthetic regarding the buildings during the initial site visit to Dudley High Street. However, a large proportion of the façades that look onto the street have noticeable damage, graffiti or structural issues.
With that said, these images (right) are an insight into some of the damage. If the local authorities saw the high street as a priority, then damages and aesthetics would have been resolved and fixed. However, as there are multiple damages, this assumes that this high street is not one authority wish to preserve.
That said, this opens an opportunity. Instead of being a conservationist and repairing these buildings to their former glory, why not make them a statement piece within the high street. Possibly by placing a blanket ban on all of the current materials seen on the street. Instead, any repairs must be in Zero carbon / Carbon negative materials. This could then become an educational street with great architectural character. Both combined may increase the high streets footfall.
The first step would be to highlight any listed buildings or monuments within the high street.
A vision for the High Street
The third Stepping Stone project attempted to design the community kitchen in one of the empty shops on Dudley High Street. We all know that food is an essential factor in our life and eating and cooking the food is not an abstract activity we do, it is part of our everyday routine. In our initial research, we found that many people live alone in compact housing on the High Street. We thought the kitchen connect the residents with society. We decided to make the process of preparing food more enjoyable. As our aim was to grow food on the street wherever possible, we can use these vegetables for the community kitchen. This will encourage residents to come down onto the street and engage with it. This could also be a new experience for the visitors of the High Street.
By placing a community garden in this space space you can learn how to plant food and it will lead to more edible spaces on the High Street that will then lead to the re-wilding of Dudley.
This post captures the street qualities where the visitors experience the colour and aromas of the food.
(We decided to present our narrative through social media and instagram posts as we wanted to showcase what individual experiences might be like when experiencing the future High Street. Each of our posts captures a different element of experience on the High Street to form a collective scenario.)
This gift was created to highlight different points in the social spaces on the high street. Aspects that we can improve on and celebrate. One point found was to incorporate more green spaces to improve health and wellbeing. The other to celebrate the textures and embossings in Dudley’s early ironworking. These ornaments were created by melting sweets and printing patterns onto them.
Pond — At the northern reaches of the High Street lies a raised bed with nothing but a sterile patch of grass. We suggest as a miniature stepping stone, we replace the grass with a pond. The sounds of water can soften the noise of the traffic and it will invite pedestrians onto the high street by having this point of interest. It also works with the plans for re-wilding and growing food along the High Street as it aids pollination.
The meaning behind this gift is composed of three main foundations which are biodiversity, social and enclosure. The box represents the enclosed feeling of the surrounding buildings that you receive when walking down Dudley High Street. The ‘High Street’ gives the impression that the buildings are closing in on you, with very little open space around. The open element of the box is to create an airy space which is what Co-LAB Dudley is trying to achieve and make the atmosphere more sociable for the local people/ community. Therefore, attracting more people to the high street. Conducting research it is evident that the ‘High Street’ severely suffers from a lack of green space resulting in a lack of biodiversity across Dudley. Centrally, located within the box is a rose which resembles the biodiversity and the need for growth amongst the ‘High Street’. The white rose connotes the purity for the future of Dudley High Street and what it could become.
The interior of the community kitchen would be inviting and colourful to create a positive atmosphere. The colours were abstracted from one of our group collages of food. The kitchen counters are not considered as a back of house element; they have been combined with seating as we are trying to embrace the cooking process. The kitchen desk is designed in a way so multiple people can work together from all sides, with central storage for herbs.
The facade of the kitchen contains a small window so food can be sold outside. We have also created a vertical herb garden so it can be used in the community kitchen. We wanted to keep these below eye-line so people outdoors have a clear view into what’s going on inside.
This street section shows activity from the back of the community kitchen to the other end of the street and how all these elements are working coherently. The street is filled more with people rather than cars. We believe that the outdoor seating, more trees, canopies and street lights can attract people to connect with the High Street.
This building has been picked because it is significant as it represents the language slang used in the local area. Not only that, the facade clearly looks worn and requires repair throughout. This is the best place to start as the locals would easily refer to it via slang. So when spreading the news of repair, people would instantly know which building it is.
The second Stepping Stone project focused on the representation of colour and revitalising frontages. During our group discussions, we recognised the negligence of existing colour on Dudley High Street. Colour is a key element we believe can bring a sense of brightness into the High Street, and an element that should be of focus when revitalising the frontages.
In this example, we have approached the frontage for the community kitchen we envision. The visual showcases a Community Kitchen in which different herbs and spices can be grown. These can then be used to cook the many dishes respective to the different cultures existing on the High Street. Each frontage can respond to the different uses of the buildings to promote individuality across the street.
This post develops what the community kitchen has to offer with street grown resources and community engagement.
(We decided to present our narrative through social media and instagram posts as we wanted to showcase what individual experiences might be like when experiencing the future High Street. Each of our posts captures a different element of experience on the High Street to form a collective scenario.)
The Overarching Concept
Providing Dudley with a self-sufficient ecosystem improves
local biodiversity. It is producing enough materials to repair and construct new buildings/interventions within the area. This radical movement could be implemented across many other declining towns. The issue is that we have become too comfortable linking with surrounding areas. For example, importing materials has a vast embodied carbon, likewise for electricity and so on. This thesis aims to grow the required materials and harvests water, capture energy with PV to allow the town of Dudley to be self-sufficient.
There is a clear presence representing Dudley with the bold red ‘Bostin’ sign at ground level. Chosen for its cantilever first and the second floor, this building could be adapted to have an external space. Also, there is a slight ‘hotel Fouquet barrière’ about the facade as its bricked-up windows represent change over time.
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A collage response to a Co.LAB gift for the High St - “It was nice to be able to use the image for something else. It made me think about placing the cut-out roadmap onto a slightly brighter future version, with colour, vibrancy and plantlife, so that it reminds me what we are heading towards, but still with a hark back to the people and the industry that made Dudley the town it is...”
These are stepping stones that we wanted to achieve, with a scale of intervention, starting with small changes that could still have a big impact e.g. street furniture. At the other end of the scale is topography, where larger adaptations can be made for what we want to achieve.
Our collective vision for Dudley is to support a creative community that is connected through our internet of things; creating spaces that allow for the collection and redistribution of materials that locals can use to construct products with. Community engagement is central to this design network with local businesses encouraged to get involved in manufacturing.
We decided to bring alive this vision through a series of pavilions positioned through the High Street, following a process through recycling, storing constructing and manufacturing. To take this idea further, we allocated several empty units along the High Street to become spaces involved in the open factory, from workshops, educational centres and co-working hubs. Since we wanted to show the journey people would be able to take, we decided to create a storyboard for our final visual.
These visuals show how the pavilions could sit in the High Street, starting at the market place, past CoLab Dudley’s base, and ending up at Top Church. We wanted to show how people would be able to interact with these different spaces and navigate between them.
LAYERS TO THE HIGH STREET - To introduce covered, sheltered areas on the high street. Making the high street welcoming for the entire family and adding topographical value to the high street that is visually interesting. Adding another layer to the high street that will encourage exploring spaces for children as well as adults.
Folklore or myths? Myth - that the High Street is just about shops - more homes likely to emerge.
Explore The History Of Site Voids - This will provide an opportunity to reimplement these to allow vertical green corridors to occur.
Explore Vacant Buildings - To avoid damaging an already deteriorating high street, I aim only to take over vacant plots.
Investigate the opportunity for Miyawaki planting - understand the conditions required to grow a sustainable material source on-site, including ground, water, and space conditions.
It takes over a building that leads directly to an open space where a community hub is the centre of the thesis, offering education, community engagement and material celebration.
New use for cars — As part of pedestrianisation we would like to suggest a memorial of sorts to cars. The feature would sit in the middle of the High Street and would consist of an old out-of-use car, being used as a planter and being filled with plants. This gesture symbolises the movement of the High Street’s priorities shifting from the automobile to plants, people and food.
The first Stepping Stone project looks into designing multifunctional furniture for Dudley High Street to provide opportunities for a regenerative community, focusing on how the high street can be occupied with resilience. Initially, the stalls act as market stalls to provide opportunities for enterprises and small businesses to begin thriving and encouraging the High Street to become a place of inclusivity.
However, the stalls can extend out into outdoor seating arrangements, which can become an extension of the community kitchen and during events can become a part of the whole atmosphere.
By extending the furniture, they can connect together and become a large spread where people can sit together and enjoy company. It creates a lowered centre space so children can sit together, or paint on the surfaces. We decided to focus on furniture because we felt the importance of it can go unrecognised. We felt through the design of this market stall, many memories can be created and attached to these items, and become valuable assets within the community.
This building has been chosen due to the clear retrofit it has already undergone. The building has two halves, a modern function on street level with roller shutter doors. These doors seem very out of place as they are not shy in hiding their presence. Then the top half is traditional stone and mortar with some elements of detailing around the windows. I wonder what the addition would look like with the zero- carbon material repair pallet.
By utilising the passageway to display exhibition work from local institutions it would not only encourage them to create their crafts, it will celebrate their work and the range of crafts that Dudley has.
The first step is sectioning out for pedestrianisation. It was important that we did this so we can move down the intervention scale to the next stepping stone; laying the foundation for social and ecological benefits. The hierarchy of space is very much dedicated to cars right now. If you design for cars, you’re going to get more cars. If you design for people, you’re going to get more people. According to Just Economics, the footfall can increase by about 40% following pedestrianisation, and retail follows suit with about 30% increase in sales.
A green wall facade across the passageway could create a bold landmark to attract people to the courtyard space.
This post promotes the opening of a community kitchen, supported by the Participatory City model.
(We decided to present our narrative through social media and instagram posts as we wanted to showcase what individual experiences might be like when experiencing the future High Street. Each of our posts captures a different element of experience on the High Street to form a collective scenario.)
TAKING BACK OWNERSHIP - To utilise the empty spaces and units on the high street with a place to celebrate the local institutions work. A space to help build a stronger connection within the community, creating a sense of fulfilment with the people of Dudley.
The image shows what this space could look like as a productive landscape. Where all the space is used. Vertical growing space can be utilised for pollinators for heights out of human range and for fruit and herbs in the lower regions that lie within our grasp. Trees can provide shelter, pollen and fruit, as can shrubs.
Street scale patchwork
Investigating Facade Damage will highlight where the repair needs to be undertaken.
It is creating an irregular pattern of repair that evolves.
Only intervene when necessary; this proposal will not ‘repair what does not need fixing’ as it appreciates there could be a negative effect on an already declining high street.
Repairs will be constructed with the materials grown on the street as part of the Macro-scale intervention.
Looking to be the centrepiece of our exhibition, we proposed to create a site model of Dudley Highstreet at 1:200 scale with buildings modelled in a simple form. Local residents and visitors to the exhibition are then invited to decorate a chosen building to how they would envision it sat within the context of a greener Highstreet. We want to tie in our themes of biodiversity and materials by proposing that buildings can, and do, have the potential to be a lot healthier, sustainable, and interactive on the street. This site model also helps gain vital public opinions on the Highstreet and prompts discussion of areas most in need of attention.
To ensure that the model is utilising the MDF to the most efficient standard possible. First, the centres of the massing blocks have been hollowed out. This allows a reduction in materials used as other buildings can be cut in the centres of the model. Then the top is finished with a solid piece.
The waste material is placed into the recycling rack where other students can reuse it; otherwise, if the material left cannot be used for another project, it is recycled correctly by the university.
The model spanned just over 3.4m long and over 50cm wide. With the majority being cut from scrap woods that would fit the jigsaw of the shape, we were able to drastically cut down on waste. We also got some small benches and bee hives printed from recycled plastics, and used dried flowers as trees to represent the green spaces. Ultimately, the model seemed like a huge success, and really helped portray our ideas about Dudley High Street to those who came by. Everyone from Dudley who saw the model knew that it was the High Street, and interacted well with it. The size did make it difficult to move, especially to carry to the site, but it sat nicely in the centre of the the room and really drew people in to interact with it.
The model brought people in from outside to play with, write on, interact with. It became a spectacle for the public to come in and see what was happening and offer their ideas about what could be done.
The event was a success. Many people from the public (those who heard about the event, and those who just happened across it on the day) came in to interact with the model, which sat as the centre piece in the room. Kids liked to play with the pieces while the adults talked about things that could come from actions to help the High Street, not just leave it as is.
SOME OF THE KEY IDEAS WERE:
- The Shops need to be inviting for everyone. It’s no good having these places to go if people would rather take a bus to the next town.
- Just putting up boards across the windows is awful. Paint, Posters, Graffiti: Anything that actually makes the High Street look still alive is better than just wooden boards.
- More Green is needed. While it is obvious that there is a lack of Trees, many people wanted to push for these small bushes or planting spaces that could easily be implemented across the street.
- Spaces for public events or for people to at least gather at. While there is the Market and Fountain, it is not enough for the people of Dudley.
- Something needs to be done about the cars on the High Street. Some were Pro-Removal of all Cars, while some just wanted to limit when they could access the High Street.
Following the exhibition we created a series of drawings with our own interpretation of Sarah Wigglesworth ‘The Dining Table’ drawing. The drawings are a perfect representation of the our interactive model at the ERA Environmental Exhibition and Event. Showing the interaction the public had with the model, as well as the conversations that were held around the model.
Stepping Stone 4 adds layers to the High Street. Like the other visions, we wanted to use CoLab Dudley’s principles ‘use nature as a guidebook’ and ‘create conditions for curiosity and experimentation’. The main way we proposed to do this was adding a green canopy to provide shelter, create a hybrid indoor outdoor space welcoming to families and a more communal open space, and support ecosystems.
This visual represents the vision for the thesis, buildings covered in lichens, air purifying plants and community activities held on the Highstreet. This visual focuses in on the proposed site for the building and shows expression of a raised new build component on site as well as a full and wild landscaping plan.
Localised Green Spaces
Here I begin to locally map Dudley, identifying its potential for green space for planting or PV panels. There is a huge potential here with up to 22,855m2 of flat roofs directly looking onto the high street. As well as the potential for a street takeover.
This map is only a theoretical analysis of a utopian idea; however, even if a small percentage of the green space highlighted became an area for planting, that is a success.
Limitation to rooftop planting would be based on the structural qualities of the existing structure. It would be wrong to say that these would be suitable with the additional weight.
This visual represents Dudley High Street re-imagined; a new vision of a re-wilded, food-centric town centre. The green canopy will begin as a frame that will encourage the growth of plants. Smaller scale units will be integrated at the start and build towards the final vision.
The yellow canary of the mines, a symbol of protection for miners spending time in highly polluted areas. The yellow lichen becomes the new symbol for Dudley, protecting inhabitants through carbon sequestration & clean air.
A sketch showing workshops utilising the empty spaces, street furniture, canopies on the side, and street art to brighten and liven the current High Street.
Water Collection
With this information I can begin to map out 1038m2 of miyawaki forests.
It is crucial that the forests do not use more water than stored as then the project isn’t zero carbon as it would require fresh water. It is important that the water collected is sufficient for this project to work. This data also provides the information to how much storage is required on the site.